SHELAYMA

The Shelayma Project presents · spring 2027 · a lake upstate

The Shelayma
Music Festival

Every night we have ever run, folded into one long weekend — in through a fire circle on Thursday night, out through a dawn on Sunday, with a full Shabbos and a stage show in between. Whole, from ember to amplifier to alos.

One hotel on a lake · Thursday night – Sunday dawn · 300 people
begin thursday night

Movement I · Thursday night · by the water

The Fire Circle

The festival opens the way the whole project did: one fire in a clearing by the lake, log seats in a ring, and the nigunim that only come out after dark. No stage, no schedule past this — the wood decides when Thursday ends. Sleep is Friday morning's problem; the lake forgives late risers.

Phones went into the basket at check-in. They come back Sunday. By the second niggun you'll have forgotten which pocket.

  • 7:00Buses from Brooklyn · check-in · soup on arrival
  • 9:30Hadlakah · the fire is lit, the circle finds its voice
  • LateGechalim · embers, one voice, the walk back in the dark

Movement II · Friday · golden hour

The Spiritual Set

On the lawn, facing the water, while the light is still gold: the softest set of the weekend. Acoustic, wordless, unhurried — the nigunim that know where the sun is going. Your phone went into the basket at check-in; you're already lighter than you were on the thruway.

The set must end eighteen minutes before sunset. It always does — the last chord and the first candle share a minute.

  • 3:00Check-in · phones to the basket · the lake is yours
  • 5:40The Spiritual Set, on the lawn
  • 7:13Candle-lighting · the amps go to sleep

Movement III · twenty-five hours

Shabbos itself

No instruments. Not less music — more. A tish that runs past midnight on voices alone, seudos that sing themselves, the deep hour Friday night when three hundred people find the same slow niggun without anyone starting it. Shalosh seudos in the last grey light, quieter than anything we could ever ticket.

Nothing on this screen moves through this stretch either. Even the page keeps Shabbos.

  • NightTish till whenever · voices only
  • DayDaven · eat · the lake again · sleep like you mean it
  • LateShalosh seudos · the softest hour of the year

Three stars.
It's over. It isn't.

Movement IV · motzaei · the answer

THE SHOW

Havdalah on the main stage, house lights off, three hundred people holding one flame. The bracha ends, the flame hits the wick of the pilot light — and the wall of amps that kept Shabbos with us wakes up all at once. Full band. Horn section. Every niggun from the weekend, electrified into next week.

And when it's spent itself — one guitar, one slow niggun, three hundred hoarse voices. That's how all our nights end. That's the name on the door.

  • 9:14Three stars · havdalah on stage
  • 9:20First chord · earplugs were in your welcome bag
  • 1:40Unplugged · the whole point, whispered

Movement V · 2 am · for whoever is still standing

Ad Alos

The amps cool. Most of the room floats off to bed, and the rest of us move to the small hall with the harmonium, the violin, and the slow rounds — music until the windows turn grey, the way our longest nights have always ended. Nobody leads. Nobody has to.

The festival has no closing ceremony. It has a sunrise.

  • 2:00The small hall · harmonium, strings, the last nigunim
  • 4:58Alos hashachar over the lake · coffee on the dock
  • Sun.Breakfast · buses home · the week, but different

Spring 2027 · the list hears first

No tickets yet.
Just the list.

Three hundred places, one lake, and every night we've run until then is a rehearsal. When dates and the hotel are set, the list gets first right of refusal — same as always.

One email when it's real. Nothing else, ever.